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Song of the Wind: From Making Together - Sea, Migration, Labour, and the Work of Living Together
Sunyoung Oh
SCAP PRESS
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| 듣기기능 | TTS지원 | 파일정보 | EPUB |
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| ISBN | 9791199830097 | ||
책 소개
Song of the Wind: From Making Together — Sea, Migration, Labour, and the Work of Living Together documents and reflects on a process of field research and artistic collaboration undertaken between 2022 and 2026, beginning in Wando, Korea, and continuing through the Philippines, Vietnam, Taiwan, Indonesia, and Portugal. Rather than presenting these places as separate case studies for testing a single model of collaboration, the book connects them as a route along which questions emerging in one place move, encounter different histories, environments, and relationships, and are transformed.
The book does not present the project and its collaborations as a success story or a completed model. Instead, it traces how relationships begin in different places, who determines the conditions of participation and responsibility, and which forms of labour and existence remain unseen in the process. Through this inquiry, it reconsiders the responsibility and care required by the act of “making together” within the interconnected contexts of the sea, migration, labour, and ecology.
Drawing on the experiences of artists, curators, researchers, local residents, activists, and migrant workers, as well as the conflicts, limitations, and changes that emerged through their encounters, the book understands collaboration not as the achievement of consensus but as an ongoing practice of negotiating relationships and sharing responsibility. It also extends the scope of collaboration beyond human relationships to include seas and rivers, coasts and forests, migrating forms of life, and the environments in which people live, asking what conditions are necessary for different beings to live together.
The book does not present the project and its collaborations as a success story or a completed model. Instead, it traces how relationships begin in different places, who determines the conditions of participation and responsibility, and which forms of labour and existence remain unseen in the process. Through this inquiry, it reconsiders the responsibility and care required by the act of “making together” within the interconnected contexts of the sea, migration, labour, and ecology.
Drawing on the experiences of artists, curators, researchers, local residents, activists, and migrant workers, as well as the conflicts, limitations, and changes that emerged through their encounters, the book understands collaboration not as the achievement of consensus but as an ongoing practice of negotiating relationships and sharing responsibility. It also extends the scope of collaboration beyond human relationships to include seas and rivers, coasts and forests, migrating forms of life, and the environments in which people live, asking what conditions are necessary for different beings to live together.
목차
Contents
My Position in This Book
Working as a Researcher, Curator, and Co-producer
Prologue
Beginning Song of the Wind
1. From Incomplete Collaboration to Song of the Wind
2. How a Single Question Travels from Place to Place
3. Art That Asks What It Takes to Live Together
4. The Places and Times of the Project, 2022–2026
Part I. The Conditions of Collaboration
Chapter 1. Rethinking Collaboration
1. Do Participation and Collaboration Guarantee Democracy?
2. From the Art Object to Relations and Processes:
Shifts in Socially Engaged Art and Public Art
3. Questions after Incomplete Collaboration
4. Understanding the Incompleteness of Collaboration as a Condition of Analysis
5. Looking beyond Outcomes to the Conditions in Which Relations Are Formed
Chapter 2. How Does the Field Become Knowledge?
1. Positionality and Conditions of Access in Field-Based Artistic Research
2. Walking and Dialogue, Observation and Documentation as Relational Methods
3. Situated Knowledge and Epistemic Authority
4. Constructing Socio-Ecological Problems as Shared Concerns
5. Methods of Translation, Documentation, and Representation
6. The Boundary between Artistic and Extractive Research
Chapter 3. Asymmetries of Collaboration and Relational Labour
1. When Does Difference Become Inequality?
2. Curatorial Authority, the Right to Participate, and the Possibility of Withdrawal
3. The Time of Movement and the Time That Remains in Place
4. The Invisible Labour of Sustaining Relations
5. How Are Value and Visibility Distributed?
6. Making Conflict Visible and Renegotiating Roles
Chapter 4. Responsibilities That Remain after Collaboration
1. Who Decides When a Project Ends?
2. The Right to Speak about Other People’s Lives and the Right to Remain Silent
3. Consent and Trust Are Not Settled Once and for All
4. What Remains after Intervening in a Place?
5. The Time Required to Care for Plantings and Facilities
6. Records That Continue to Travel after Departure
7. Sustaining Responsibility and Bringing a Project to a Just Conclusion
Part II. Relations Formed along the Wind’s Path
Chapter 5. South Korea—Where the Questions Began
1. Institutional Collaboration and Foreseen Failure
2. Choosing a Site and Preparing Relationships
3. Turning a Place to Stay into a Shared Resource
4. How Can Voluntary Participation Be Designed?
5. The Same Labour, Different Conditions
6. Whose Work Is Collaborative Making?
7. Pung-Mi—Relations Made through Food and Seaweed
8. Questions That Did Not End in Yaksan-myeon
Chapter 6. The Philippines—Creating Publicness through Relations
in a Private Space
1. The Route That Led to the Philippines
2. A Site Where the Artist Becomes a Guide
3. Encountering a Residency in a Private Home
4. Two Workshops—Opening the House to the Neighbourhood
5. What Makes a Space Public?
6. When a Proposal for Collaboration Meets the Language of Price
7. Relations Loosely Sustained—The Time before Collaboration
Chapter 7. Vietnam—Changing Landscapes, Moving Lives
1. From a Single Destination to Two Research Routes
2. The Red River and the Coast—Observing a Changing Environment
with Vu Hai Nguyen
3. From Mu Cang Chai to Hanoi—Sylbee Kim’s Independent Research
4. From Research to Planting—What Should Be Defined as a Shared
Environmental Problem?
5. Relearning How to Plant a Tree at the Temple of Literature
6. Socially Engaged Practice—Planting Trees along the Red River
with Think Playgrounds
7. After Two Planting Projects—Who Cares for the Trees?
8. Questions Left by Divergent Routes—Hospitality and
Non-Extractive Collaboration
Chapter 8. Taiwan—Redesigning Collaboration along the Flow of Water
1. From Wando to Hsinchu—A Question Moving from Sea to Watershed
2. The Water of an Industrial City and Life on the Coast
3. Jiugang Island—Estuarine Change and Situated Knowledge
4. The Same Consent Form, Divergent Participation—
Ren
My Position in This Book
Working as a Researcher, Curator, and Co-producer
Prologue
Beginning Song of the Wind
1. From Incomplete Collaboration to Song of the Wind
2. How a Single Question Travels from Place to Place
3. Art That Asks What It Takes to Live Together
4. The Places and Times of the Project, 2022–2026
Part I. The Conditions of Collaboration
Chapter 1. Rethinking Collaboration
1. Do Participation and Collaboration Guarantee Democracy?
2. From the Art Object to Relations and Processes:
Shifts in Socially Engaged Art and Public Art
3. Questions after Incomplete Collaboration
4. Understanding the Incompleteness of Collaboration as a Condition of Analysis
5. Looking beyond Outcomes to the Conditions in Which Relations Are Formed
Chapter 2. How Does the Field Become Knowledge?
1. Positionality and Conditions of Access in Field-Based Artistic Research
2. Walking and Dialogue, Observation and Documentation as Relational Methods
3. Situated Knowledge and Epistemic Authority
4. Constructing Socio-Ecological Problems as Shared Concerns
5. Methods of Translation, Documentation, and Representation
6. The Boundary between Artistic and Extractive Research
Chapter 3. Asymmetries of Collaboration and Relational Labour
1. When Does Difference Become Inequality?
2. Curatorial Authority, the Right to Participate, and the Possibility of Withdrawal
3. The Time of Movement and the Time That Remains in Place
4. The Invisible Labour of Sustaining Relations
5. How Are Value and Visibility Distributed?
6. Making Conflict Visible and Renegotiating Roles
Chapter 4. Responsibilities That Remain after Collaboration
1. Who Decides When a Project Ends?
2. The Right to Speak about Other People’s Lives and the Right to Remain Silent
3. Consent and Trust Are Not Settled Once and for All
4. What Remains after Intervening in a Place?
5. The Time Required to Care for Plantings and Facilities
6. Records That Continue to Travel after Departure
7. Sustaining Responsibility and Bringing a Project to a Just Conclusion
Part II. Relations Formed along the Wind’s Path
Chapter 5. South Korea—Where the Questions Began
1. Institutional Collaboration and Foreseen Failure
2. Choosing a Site and Preparing Relationships
3. Turning a Place to Stay into a Shared Resource
4. How Can Voluntary Participation Be Designed?
5. The Same Labour, Different Conditions
6. Whose Work Is Collaborative Making?
7. Pung-Mi—Relations Made through Food and Seaweed
8. Questions That Did Not End in Yaksan-myeon
Chapter 6. The Philippines—Creating Publicness through Relations
in a Private Space
1. The Route That Led to the Philippines
2. A Site Where the Artist Becomes a Guide
3. Encountering a Residency in a Private Home
4. Two Workshops—Opening the House to the Neighbourhood
5. What Makes a Space Public?
6. When a Proposal for Collaboration Meets the Language of Price
7. Relations Loosely Sustained—The Time before Collaboration
Chapter 7. Vietnam—Changing Landscapes, Moving Lives
1. From a Single Destination to Two Research Routes
2. The Red River and the Coast—Observing a Changing Environment
with Vu Hai Nguyen
3. From Mu Cang Chai to Hanoi—Sylbee Kim’s Independent Research
4. From Research to Planting—What Should Be Defined as a Shared
Environmental Problem?
5. Relearning How to Plant a Tree at the Temple of Literature
6. Socially Engaged Practice—Planting Trees along the Red River
with Think Playgrounds
7. After Two Planting Projects—Who Cares for the Trees?
8. Questions Left by Divergent Routes—Hospitality and
Non-Extractive Collaboration
Chapter 8. Taiwan—Redesigning Collaboration along the Flow of Water
1. From Wando to Hsinchu—A Question Moving from Sea to Watershed
2. The Water of an Industrial City and Life on the Coast
3. Jiugang Island—Estuarine Change and Situated Knowledge
4. The Same Consent Form, Divergent Participation—
Ren